Posts By Margot Krebs Neale

to be a Woman – CamIris exhibition 2014

My first response to the theme of the exhibition was a blurb book with the story of my life. Being a woman was being me. Then I thought that was too narrow and too personal, so I looked for poems I had written which dealt with the women who had influenced me or been important to me and my role in womanly aspects of my life, motherhood, sisterhood. Later I wrote a poem specifically for the exhibition and what came to light was more a question, when do we have an idea about womanly or manly? Is it a subtle changing idea, can one be “just woman”?

No answer to this question, just images. Following a pattern similar to Paul Gauguin’s questions and title “D’où venons-nous ? Que sommes-nous ? Où allons-nous ?” (Where Do We Come From? What Are We? Where Are We Going?).

The first picture is “what was my face like before I was born” a time when no one knew my gender, a time when I wonder what my face was like.

A page from the smaller book "To be a Woman Margot KrebsNeale"
You can see both books on the page TWO BOOKS OF POETRY AND PHOTOGRAPHY.

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To the second question “Que sommes-nous?” (what are we?) the response would be “Gold and Mine (2013)” : in the foreground a cup, a vessel and in the background eyes and mystery, like the relationship between the unconscious and what we try to offer to the world. The depth mined for gold.

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Gold and Mine (2013)

A response less mysterious but not without its ambiguities is “Manly, Womanly and Me (2013)”. Behind the image of me, what image of masculinity and femininity was I given by my parents?. Mars, Venus, Saturn, Artemis, so many ways to weave the masculine and feminine.

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Manly, Womanly and Me (2013)

“Flots de Mots (2014)” is not an image, it is a river, with a source and a powerful flow, like the words pouring out in writing, in attempts to give shape to uncertainties and discoveries, answers and new questions and maybe help say something about where we are going, and that may be back to the source.

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Flots de Mots (2014)
This photograph is of THE RIVER, an installation by the artist Charles Sandison commissioned by the musée du quai Branly, is a work of spectacular video art. Immersed in a river of words that are moving, generated by a network of computers, and projected at varying rhythms and densities for the whole length of the route, visitors will encounter the names of all the peoples and geographic places represented in the museum’s collections. In this way, THE RIVER goes along with the flow of visitors as they ascend right to the source: the collections floor.
… polynésie ravenna slavonska narabat miguel puno nek papantia creuse dogon rajbari nicolas pequetzen rapa pitcalm foukhar botswana pitcairn lipez putau rachaya magdalena santa oblysy sepik san luis piedras quijarro rangamati …

Photographs of the exhibition at Atworks, October 11th and 12th

Thank you to Peter Nixon and Justyna Rostankowska

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Click on the photo to see the 10 blurb books made for the exhibition

If you want to buy one of the two books I made for the exhibition, go to the page

By the time the last petal fell

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Once upon a time, in a faraway land,
A young Prince lived in a shining castle.
Although he had everything his heart desired,
The Prince was spoiled, selfish, and unkind.
But then, one winter's night, an old beggar-woman came to the castle,
And offered him a single rose in return for shelter from the bitter cold.
Repulsed by her haggard appearance, the Prince sneered at the gift and turned the old woman away,
But she warned him not to be deceived by appearances,
For beauty is found within.
And when he dismissed her again, the old woman's ugliness melted away
To reveal a beautiful Enchantress.
The Prince tried to apologize, but it was too late,
For she had seen that there was no love in his heart.
And as punishment, she transformed him into a hideous beast, and placed a powerful spell on the castle, and all who lived there.
Ashamed of his monstrous form, the Beast concealed himself inside his castle, with a magic mirror as his only window to the outside world.
The rose she had offered was truly an enchanted rose, which would not bloom until his 21st year,
If he could learn to love another, and earn their love in return,
By the time the last petal fell, then the spell would be broken.
If not, he would be doomed to remain a beast for all time.
As the years passed, he fell into despair, and lost all hope.
For who could ever learn to love a beast?

Prologue from "Beauty and the Beast"

Tarte d’automne

WYSING ARTS CENTRE

David Osbaldeston, Two Way Mirror (after Dan Graham) 2013

Le plus grand voyage – Is it time?

A photograph inspired by the same thoughts as the previous post Le plus grand voyage
With the difference that one must distinguish when it is time to go through and and when the doors are not opening for you.

Le plus grand voyage.

Des trains, des gares

Le plus grand voyage

Aux portes
Du plus grand voyage
Démunis
Et sans bagages
Ou bien non
ni démunis
ni sans bagages

Nous avons
Toute notre richesse intérieure
Toutes nos peurs aussi
Les mauvais souvenirs de voyage
Les accueils sans chaleur

Nous avons
Tous les objets
Tous les lieux
Tous les gens
Qu'on ne veut pas quitter

Et pourtant
La liberté
L'immense danse
A laquelle nous sommes invités
C'est peut-être cela qu'il faut envisager
Se tourner toujours vers l'avenir
Car il y a toujours un avenir
Un devenir

Où on va
Et ce/ux qu'on quitte
On donne, on laisse, on lègue
Nos richesses intérieures
Tous les moments de bonheur
Le courage devant les malheurs
Les objets avec et sans valeur

On donne le sens de la continuité
La vie, au propre ou au figuré.

Il y a toujours un avenir
Un devenir
Ne pas trop s'en inquiéter
Glisser
Comme à notre naissance
Se laisser porter
Appartenir
A l'immensité
D'une manière
Qu'on n'a pas imaginée.

Ouvrir une porte
Passer un seuil
L'esprit vous porte
comme le vent la feuille.

Text and photography ©Margot Krebs Neale

Araignée du soir, Espoir

Present – new and old

Strange