Posts Tagged: Women

Reflections exhibition: Public Opening night

 

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The Shell by Molly Drake

Living grows round us
like a skin,
to shut away
the outer desolation

 

For if we clearly mark
the furthest deep,
we should be dead
long years before the grave

 

But turning around
within the homely shell
of worry, discontent
and narrow joy,
we grow and flourish
and rarely see
the outside dark
that would
confound our eyes

 

Some break the shell

I think that they are those
who push their fingers
through the brittle walls
and make a hole

And through this cruel slit
they stare out across
the cinders of the world
with naked eyes

 

They look both out and in
Knowing themselves
and too much else besides

.

 

 

To Sophie

Sophie K L
27 août 1955 – 2 juillet 2012

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Une vie bien remplie

Après une vie bien remplie, Maman est morte le 1er Juin 2015

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Sloane square, London

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Antonine Maillet et le retour des réfugiés / 1ere et 2 eme parties

Le retour de réfugiés que ce soit en 1755 en Acadie où au XXe siècle est douloureux et merveilleux. Il est le rêve de tous ceux qui ont dû quitter leurs racines, leurs maisons, leur terre.
Antonine Maillet, qui a non seulement hérité de l'amour d'une terre mais de l'amour d'une langue et du talent de conteur/conteuse, nous donne par la seule force des mots toutes les souffrances, tous les espoirs toutes les joies d'un peuple qui rentre au pays.

Des Parisiennes

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to be a Woman – CamIris exhibition 2014

My first response to the theme of the exhibition was a blurb book with the story of my life. Being a woman was being me. Then I thought that was too narrow and too personal, so I looked for poems I had written which dealt with the women who had influenced me or been important to me and my role in womanly aspects of my life, motherhood, sisterhood. Later I wrote a poem specifically for the exhibition and what came to light was more a question, when do we have an idea about womanly or manly? Is it a subtle changing idea, can one be “just woman”?

No answer to this question, just images. Following a pattern similar to Paul Gauguin’s questions and title “D’où venons-nous ? Que sommes-nous ? Où allons-nous ?” (Where Do We Come From? What Are We? Where Are We Going?).

The first picture is “what was my face like before I was born” a time when no one knew my gender, a time when I wonder what my face was like.

A page from the smaller book "To be a Woman Margot KrebsNeale"
You can see both books on the page TWO BOOKS OF POETRY AND PHOTOGRAPHY.

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To the second question “Que sommes-nous?” (what are we?) the response would be “Gold and Mine (2013)” : in the foreground a cup, a vessel and in the background eyes and mystery, like the relationship between the unconscious and what we try to offer to the world. The depth mined for gold.

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Gold and Mine (2013)

A response less mysterious but not without its ambiguities is “Manly, Womanly and Me (2013)”. Behind the image of me, what image of masculinity and femininity was I given by my parents?. Mars, Venus, Saturn, Artemis, so many ways to weave the masculine and feminine.

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Manly, Womanly and Me (2013)

“Flots de Mots (2014)” is not an image, it is a river, with a source and a powerful flow, like the words pouring out in writing, in attempts to give shape to uncertainties and discoveries, answers and new questions and maybe help say something about where we are going, and that may be back to the source.

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Flots de Mots (2014)
This photograph is of THE RIVER, an installation by the artist Charles Sandison commissioned by the musée du quai Branly, is a work of spectacular video art. Immersed in a river of words that are moving, generated by a network of computers, and projected at varying rhythms and densities for the whole length of the route, visitors will encounter the names of all the peoples and geographic places represented in the museum’s collections. In this way, THE RIVER goes along with the flow of visitors as they ascend right to the source: the collections floor.
… polynésie ravenna slavonska narabat miguel puno nek papantia creuse dogon rajbari nicolas pequetzen rapa pitcalm foukhar botswana pitcairn lipez putau rachaya magdalena santa oblysy sepik san luis piedras quijarro rangamati …

Photographs of the exhibition at Atworks, October 11th and 12th

Thank you to Peter Nixon and Justyna Rostankowska

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Click on the photo to see the 10 blurb books made for the exhibition

If you want to buy one of the two books I made for the exhibition, go to the page